Local Heavy Psych Explorers Return To SF (From CBS Local SF)

Local Heavy Psych Explorers Return To SF

By Dave Pehling

(SAN FRANCISCO) — With a history dating back to the early 2000s, San Francisco glam/psych/stoner-rock heroes Turn Me On Dead Man twist together the varied strands of heavy music from the past five decades into a uniquely bombastic sound.

Led by songwriting talent and lysergic guitar fury of founder Mykill Ziggy, the group became a local club favorite over the next few years with its penchant for epic, Bowie/Bolan-esque space rock played at paint-peeling volume. The band self released it’s debut album God Bless the Electric Freak in 2005, but soon caught the ear of SF punk legend and Alternative Tentacles Record founder Jello Biafra, who reissued the effort on his imprint to solid reviews.

Loading videoThe fruitful relationship between band and label would continue over the next several years as Ziggy and a rotating cast of musicians (drummer Christopher Lyman being the sole collaborator who has played on all of the band’s recordings) continued to refine their sound, exploring their unabashed love for crushingly heavy riffs and psychedelic filigree. Nodding to the Beatles as much as Bowie and T-Rex, the songs on 2006’s Technicolour Mother and Sunshine Suicide three years later also echoed the sounds of ’90 alt-rock favorites Jane’s Addiction and contemporaries Queens of the Stone Age.

Loading videoThe band would split up for a few years after Ziggy relocated to Austin, TX, but the extended hiatus ended after he reconvened a new line-up of the band to record and release We Are the Star People in 2013. Joined by second guitarist Nick Doom, the band’s first new album in four years found Turn Me On Dead Man delivering a long-overdue round of glorious interstellar anthems.

While it’s live shows have been somewhat irregular since then, the group — now including bassist Jeff Klukowski (formerly of Andalusia Rose) and a host of auxiliary contributors — gradually put together what may be it’s heaviest recording yet. Tracked over the course of several years at San Francisco’s Light Rail StudiosHeavymetal Mothership ramps up the melodic crunch on some of Turn Me On Dead Man’s most anthemic space-rock juggernauts yet. Initially made available for download on the TMODM Bandcamp page, the album was released late last year on vinyl and CD on the appropriately named Italian label Heavy Psych Sounds Records.

Loading videoFor only its second Bay Area show in the past year, Turn Me On Dead Man will be joined at the Knockout in San Francisco Thursday night by a pair of local bands: tuneful, propulsive post-punk outfit Eyes Like Ice and acclaimed SF noise-rock trio the Tunnel, who recently released the new three-song Exoskeleton EP.

Turn Me On Dead Man
Thursday, Nov. 29, 9 p.m. $6

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Local Heavy Psych Explorers Play Show In Oakland

An excellent write up for our show tonight in Oakland at The Golden Bull. This will be our first live appearance in The Bay Area since our European stretch!

By Dave Pehling

(SAN FRANCISCO) — With a history dating back to the early 2000s, San Francisco glam/psych/stoner-rock heroes Turn Me On Dead Man twist together the varied strands of heavy music from the past five decades into a uniquely bombastic sound.

Led by songwriting talent and lysergic guitar fury of founder Mykill Ziggy, the group became a local club favorite over the next few years with its penchant for epic, Bowie/Bolan-esque space rock played at paint-peeling volume. The band self released it’s debut album God Bless the Electric Freak in 2005, but soon caught the ear of SF punk legend and Alternative Tentacles Record founder Jello Biafra, who reissued the effort on his imprint to solid reviews.

The fruitful relationship between band and label would continue over the next several years as Ziggy and a rotating cast of musicians (drummer Christopher Lyman being the sole collaborator who has played on all of the band’s recordings) continued to refine their sound, exploring their unabashed love for crushingly heavy riffs and psychedelic filigree. Nodding to the Beatles as much as Bowie and T-Rex, the songs on 2006’s Technicolour Mother and Sunshine Suicide three years later also echoed the sounds of ’90 alt-rock favorites Jane’s Addiction and contemporaries Queens of the Stone Age.

The band would split up for a few years after Ziggy relocated to Austin, TX, but the extended hiatus ended after he reconvened a new line-up of the band to record and release We Are the Star People in 2013. Joined by second guitarist Nick Doom, the band’s first new album in four years found Turn Me On Dead Man delivering a long-overdue round of glorious interstellar anthems.

While it’s live shows have been somewhat irregular since then, the group — now including bassist Jeff Klukowski (formerly of Andalusia Rose) and a host of auxiliary contributors — gradually put together what may be it’s heaviest recording yet. Tracked over the course of several years at San Francisco’s Light Rail StudiosHeavymetal Mothership ramps up the melodic crunch on some of Turn Me On Dead Man’s most anthemic space-rock juggernauts yet. Initially made available for download on the TMODM Bandcamp page, the album was released late last year on vinyl and CD on the appropriately named Italian label Heavy Psych Sounds Records.

For its first Bay Area show in nearly a year, Turn Me On Dead Man will be joined at the Golden Bull in Oakland by SF’s like-minded modern psych maestros the Spiral Electric — who will be previewing music from a forthcoming double LP scheduled for release next year — and sludgy pop-psych band Coywolf (which shares the Spiral Electric’s guitarist Nicholas Percy)

Link to original article

European Tour Journal Day 10: Winterthur, Switzerland

We crossed back into Switzerland without a hitch, since we knew the drill by now. We stopped and declared our merch and did the tally and left the deposit and were on our way to Winterthur. I didn’t get many pics since it was wet out and the windows were filthy by now, but the drive was another beautiful one.

2018-02-17 15.36.10

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THE VENUE

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Big Room
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Bigger Room

The venue was a sizeable space with a rather large room that we would play in, and an even larger room for name acts. We arrived to a prosciutto spread and a bustling kitchen where a small staff were preparing home cooked meals for the bands and club workers. The communal aspect really made for a welcoming environment and everyone was really friendly.

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Again this was one of the shows we played that were govt. subsidized, which removes a lot of tension and headaches which can make for an un-enjoyable show for everyone involved. I really grew to love this model for that very reason.

One thing I also loved was the compact yet powerful industrial turbine heaters they used to heat the giant space, I had to record it for future sampling. I was maybe ten feet away and I could barely stand it long enough to record for 10 seconds:

I knew we were hooking up with Motorizer again, we played with them in Bludenz as well, but I kept asking who “Turoffnung” were until I finally got a local to inform me that “Turoffnung” means doors opening…Hahahaha! I thought ‘what a clever name for a band’

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THE SHOW

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We had another good crowd and the sound was excellent, it was also nice to have a bit of a bigger stage to move around on. Enjoy these pics from Phillip Reinhard, some of the best we got this whole tour:

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An excerpt, Nick Doom shreds:

Our encore, including a nice moment when the crowd serenaded us with that Scott McKenzie song:

It was such a fun atmosphere that after the show, many if not all of the staff stayed until the wee hours playing drinking games that involved bottle-caps, and talking and listening to music, and of course smoking a boat load of cigarettes, which again, occurred right next to the room we were to sleep in.

One refreshing thing I have to acknowledge is that I barely saw any kind of cell phone or smart phone the entire night. Everyone was content to enjoy each others company and the music and the simple games that got them through another cold winter night in the Swiss Alps.

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Either way, we rocked that place and had a nice time hanging out with the promoter and staff afterwards. It was such a different experience than we’re used to in the U.S. The Switzerland shows will surely stay with me.

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Christopher Lyman Drummer and a “G”

Next stop Salzburg, Austria.

All pics by Jeff K. other that the live band series by Phillip Reinhard

All video shot by Jeff K.

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