Category Archives: Field Recording

Alphastare: “Optonoises”

IMG_9979

I recently released a project I’d been working on sporadically over the past year utilising audio sent to me by Stan lewry aka “Optonoise” who uses lasers to create sounds. See my interview with Stan  to get more of a sense of his work. Check out the video below from his presentation at The Tate Modern awhile back, to see and hear some of the sounds in their raw state.

Enjoy the release!

 

Advertisements

Touch the Gear 2018

IMG_9222

For the second year in a row I was invited to show a few pieces of gear at the Outsound New Music Summit event ‘Touch the Gear” where a space is open free to the public, who have the unique opportunity to play with uncommon instruments and ask questions etc. Represented is a cross section of electronic, as well as acoustic instruments, some manufactured by small companies such as the Eurorack modular gear and tabletop synths. There were also one of a kind DIY custom instruments (the tabletop resonating deconstructed banjo was a highlight) and devices utilising open source programming to design custom interfaces and/or sound sources as well as processing.

This event has a great community vibe and it’s always fun to see young kids get excited about these strange inventions. Look up the artists for more info, some have been deeply involved in the underground avante garde music scene for a long time.

Artists included this year:

• L.J. Altvater – tape-loop/effects-pedals
• Hugh Behm-Steinberg – CD turntable and effects
• Amanda Chaudhary – analog modular synthesizer, theremin
• Andrew of Chopstick – Pro One, modular and homemade synthesizers
• Tom Djll – small electronic devices including mixers, filters, effects, pickups, etc.
• R Duck – synthesizer
• Tom Duff – surprises
• Tammy Duplantis – game boys
• Bart Hopkin – invented instruments
• Jeff Klukowski (Alphastare)- modular synthesizers etc.
• David Leikam – Moog Rogue analog synthesizer
• Dania Luck – laptop with midi-controller running super-collider
• Collette McCaslin – percussion, small instruments
• Andy Puls – homemade synthesizer
• Jess Rowland – cell phones and controller
• Gabby Wen – electronics
• Peter Whitehead – invented instruments

Enjoy these 2 brief videos, which, together give a good sense of the diverse items on hand as well as the creativity and innovation of these artists. The first video was created by Amanda Chaudhary of Catsynth : who did some short interviews:

The second video was compiled from a few clips I took. Some walkthrough footage and a couple of brief demos by a few of this years participants:

Enjoy the wonderful sounds.

Rodelius

 

057

It’s been a busy period for me, and this was one of those nights where I did not want to be out on a mid weeknight, but for Hans Joachim Rodelius to drag himself at the age of 82 all the way from Germany to perform for us here in SF made me recalibrate my mood and tough it out in order to enjoy the experience of witnessing this very rare performance by the only living founding member of Cluster/Kluster/Qluster and Harmonia and vanguard of the German avant garde underground music scene.

I had the chance to see Moebius a few years back (2012) and missed it for whatever reason and have been kicking myself because he has since passed away. I didn’t want to miss another opportunity to experience a living master of the craft.

His set at The Chapel SF opened with a bit of electronic work and he was joined by Tim Story also on electronics. This went on for awhile with Hans at one point transitioning to piano for some light melodic pieces, sketches almost, beautiful melodies, light and moody, playful yet melancholy at times. This first video captures some of that.

At one point he did a special dedication to Holger Czukay of Can, who recently passed away and Tim Story also dedicated this one to Dieter Moebius.

Tim departed the stage after the dedication to leave Hans to indulge in some more electronic work which was some of my favorite stuff of the evening. Abstract dynamic and dreamlike sounds culled from various sources created a lovely sound collage.

Nobody seemed to be sure what he was hearing but after his set he asked who in the crowd was playing with him as he seemed to hear some sort of Flutes or horn coming from somewhere in the building….maybe a ghost? Maybe a ghost in the machine?

058

He ended the set with a bit of a lull-a-bye on piano, stood up and took some pics of the crowd with his smart phone and then offered anyone who wanted to hug him to hang around afterwards. I went and picked up a record from his merch table and had a few moments with him, the record was already signed from the initial run but I had him sign it again. I asked if he ever figured out who was responsible for the sounds he heard to which he replied in that soft German accent ‘Was it you?’ hahaha! He told me to ‘spread love’ and he smelled like wine and we hugged and it was a wonderful experience.

This slideshow requires JavaScript.

001


 

Full Tones @ BAMPFA: Gabie Strong and Robert Lowe

19702585_10156745132073018_6956505984142518315_o

I found myself at The Berkeley Museum once again, where I had recently experienced another experimental electronic woman artist Suzanne Ciani. My wife and I attended this most recent performance with anticipation and a sense of pride, as my wife has been friends with Gabie since high school, and here she is performing at BAMPFA! If that isn’t enough to get excited about, also on the bill was Robert Aiki Aubrey Lowe.

Full Tones was part of a series of concerts held on the Full Moon curated by Land and Sea who operate out of Oakland Ca.

IMG_1317

Gabie has been deeply involved in the experimental music underground for many years. She has been operating the radio show Crystalline Morphologies on KCHUNG 1630 AM radio out of Chinatown in LA. There are show archives that go back to 2011.

She has performed in and curated many events over the years, often developing site specific experiments.

She has also recently added an independent record label (also called Crystalline Morphologies) to her list of accomplishments and her 2 solo releases on vinyl and cassette are excellent slabs of experimental drone/noise and field recording.

Her set was a wonderful wash of guitar drone with a bit of contact mic experimentation deeper into the set that really brought an interesting performance element into the experience.


We had been planning on going to this event for a few weeks before I looked it up online and saw that Robert Aiki Aubrey Lowe was also performing! I’d been following him for some time and have enormous respect for him being one of the few people of color operating at that level in electronic music. With cutting edge modular technology and an intellectual as well as soulful approach to the medium, he brings a much needed flavor to that scene. He incorporates his voice in wonderful ways as well as other acoustic elements fed into the modular for an otherworldly effect almost church-like. While I’m at it, I really recommend the stuff he did with experimental electronic legend Ariel Kalma. It was an honor to meet Robert and I do hope our paths cross again!

IMG_9358