As promised in my previous post, here is a follow up with some coverage of Susanne Ciani’s appearance at The Berkeley Museum a week after the main festival of performances celebrating the work of Don Buchla. This was a sort of auxiliary set and also coincided with the ‘Hippie Modernism’ exhibit that runs through May 21st.
I met up with my friend Eric M. and the brilliant folks behind RE-search Pubs V.Vale and Marian to experience this special event.
Susanne came out and took in the crowd which had an obvious overwhelming effect on her as she was back ‘home’ in Berkeley again where she originally worked with Don Buchla back in the early days of her discovery of synthesized music. She had an emotional response which set the mood for the event and made it that much more special. She spoke a bit about meeting Don and how he influenced and affected her whole approach and philosophy about music making and perhaps maybe a bit about life in general.
Something happened during her set as well, it was that feeling you get when someone hits you with a really personal and emotional performance, which usually only happens in a conventional music scenario involving perhaps heavy lyrics or a soul wrenching melody. I’ve never gotten that from a synthesizer set and I realized the same thing happened during her set the previous weekend, I just didn’t really acknowledge it until it happened again, the hair raising on my arms etc. I told her as much afterwards and she almost cried right there! It was an amazing connection.
Enjoy her full set here:
See my previous post for more from Susanne as well as additional footage from The Don Buchla Memorial Shows
Here are a couple of videos I’ve recently enjoyed. Visually intense material not for those who get dizzy easily.
Aphex Twin did a ‘Pendulum set’ back in 2011 in Poland. This was a piece originally composed by Steve Reich in 1968. Progressing on this a bit, the mics used in this set were outfitted with mirrored disco balls and used to create a hypnotic matrix of kaleid-a-scopic laser like beams swaying with the rhythm of the swinging as it naturally slowed during the process.
This next video is by Toshio Matsumoto who I know very little about, though I have heard of Funeral Parade of Roses (1969) which apparently was influential on A Clockwork Orange. This video is abstract and very psychedelic and challenging (in a good way) to watch. The music was done by Toshi Ichiyanagi who was involved with The Fluxus movement and studied with John Cage as well. Enjoy the trip!
Once again I was invited back to perform at HSP 2017. I missed the first 2 days but here is a bit of video from day 3 including my set. I always enjoy these events and the cross section of local talent it presents.
Here’s a 2 angle video of my set on March 5th day 3 of Hardly Strictly Personal, a post Beefheart themed event and a benefit for Homeless Action and Earthjustice. This went down in Berkeley Ca at The Finnish Kaleva Hall and was organized by Mika Pontecorvo and NextNow
I caught a bit of video of United Separatists set featuring Tim Orr on drums/percussion and Drew Wheeler on waterphone, effected guitar etc.
I also got some footage of Ebola Buddha’s set. They perpetuate ‘literary happenings’ crowd participation encouraged:
Event Flyer by Jason Barry
The schedule changed a bit as things developed, but here’s the general line up: