Tag Archives: San Francisco

Heavy Metal Mothership out now on Heavy Psych Sounds

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As I reported back in July, I’ve been handling bass for SF heavy psych metal band Turn Me On Dead Man, who recently signed to Heavy Psych Sounds out of Italy. Since then the album has been pressed up and is ready to ship! There are black and transparent splatter available. Purchase links are HERE and check out this stellar review via The Obelisk.

 

 

Also in the works is a European tour that is slated to kick off in Feb 2018, more details as that develops.

My first show with these guy will be November 17th at Coopers in Nevada City.

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One final bit of business to announce here is our Patreon campaign. In order to keep up on gear maintenance, rehearsal rent, transportation and other incidental things that keep a band afloat, we need to solicit the help of our friends, fans and family. We hate to do it but the days of major labels floating developing artists with bloated budgets are long over, we do this on our own and with the support of an Independent label. That being said, independent labels like Heavy Psych are essential to our growth, and they facilitate our being able to gain exposure in different markets, but they are not backed by major label money, and we still have to support a lot of what we do in the day to day of the band. Check out the Patreon and pitch in if you can, there will be exclusive content and future offers on merch etc. for patrons of our campaign. You will be rewarded!

TURN ME ON DEAD MAN ON PATREON

Cover Photo by Sven Wiederholt with further manipulation by Jonesy Daysleeper

 


 

 

 

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Rodelius

 

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It’s been a busy period for me, and this was one of those nights where I did not want to be out on a mid weeknight, but for Hans Joachim Rodelius to drag himself at the age of 82 all the way from Germany to perform for us here in SF made me recalibrate my mood and tough it out in order to enjoy the experience of witnessing this very rare performance by the only living founding member of Cluster/Kluster/Qluster and Harmonia and vanguard of the German avant garde underground music scene.

I had the chance to see Moebius a few years back (2012) and missed it for whatever reason and have been kicking myself because he has since passed away. I didn’t want to miss another opportunity to experience a living master of the craft.

His set at The Chapel SF opened with a bit of electronic work and he was joined by Tim Story also on electronics. This went on for awhile with Hans at one point transitioning to piano for some light melodic pieces, sketches almost, beautiful melodies, light and moody, playful yet melancholy at times. This first video captures some of that.

At one point he did a special dedication to Holger Czukay of Can, who recently passed away and Tim Story also dedicated this one to Dieter Moebius.

Tim departed the stage after the dedication to leave Hans to indulge in some more electronic work which was some of my favorite stuff of the evening. Abstract dynamic and dreamlike sounds culled from various sources created a lovely sound collage.

Nobody seemed to be sure what he was hearing but after his set he asked who in the crowd was playing with him as he seemed to hear some sort of Flutes or horn coming from somewhere in the building….maybe a ghost? Maybe a ghost in the machine?

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He ended the set with a bit of a lull-a-bye on piano, stood up and took some pics of the crowd with his smart phone and then offered anyone who wanted to hug him to hang around afterwards. I went and picked up a record from his merch table and had a few moments with him, the record was already signed from the initial run but I had him sign it again. I asked if he ever figured out who was responsible for the sounds he heard to which he replied in that soft German accent ‘Was it you?’ hahaha! He told me to ‘spread love’ and he smelled like wine and we hugged and it was a wonderful experience.

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Outsound New Music Summit: Touch the Gear 2017

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Tom Djil

I was invited to show a few pieces from my set up at Touch the Gear this year. This was part of the Outsound New Music Summit 2017

There were modular rigs as well as custom instruments, though I suppose the nature of modular is also largely customizable. Specifically, outside there were acoustic instruments presented by Pet the Tiger. They had a pretty sizable Kalimba and this giant set up (a metallophone) with metallic plates and a lovely low tone produced by the largest plate. We had an impromptu jam on that and I sampled a bit of it for fun, maybe I’ll use some in a future collage.

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Pet the Tiger

There was some visual stuff

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Tim Thompson

Modular

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Amanda Chaudhary

I brought a few things including a Mother 32, Moogerfooger MF104M Delay, Tascam 414 cassette 4 track, ipad with various sound apps. Easily the most popular item was the Monoscillatron which I’ve posted about before on Youtube

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Alphastare

By total coincidence my friends at Wondersound Industries just released The Monoscillatron for purchase at Reverb.com with a special that runs from today July 28th until July 31st!

Hear it in action in the video below, as well as a few other sounds from my table. I also did a brief walkthrough. For more coverage visit Catsynth 

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Jim Marshall (SF Summer of Love 50th Anniversary Photo Exhibit Lunchtime Tour (feat: V.Vale)

This was one of the many things going on celebrating the 50th anniversary of ‘The Summer of Love’ here in SF. If you saw my recent post on Susanne Ciani at the Berkeley Museum you might remember I shared a photo with some friends including V.Vale. from Re/Search Pubs. This post features him speaking in front of a photo taken by Jim Marshall during the summer of 1967. He is featured in the foreground of the photo and just the look on his face captures the awe and wonder of what it might have been like to arrive at that infamous corner of Haight and Ashbury at that time. While most of those people have moved on in life or have since passed, Val manages to still have that curiosity in life and culture/counterculture and remains in a perpetual state of  awe and inquisitive-ness.

JM - Corner of Haight and Ashbury, 1967 'V.Vale'
Photo by Jim Marshall

The first few minutes of this video is from part of the guided tour of the photos that line the hall in the basement of SF City Hall including a couple of bits of insight to what was happening in some of the pics, such as the story behind the Moby Grape album cover that was censored and how Otis Redding really stole the show at Monterey Pop. There were plenty of photos of The Dead and Jefferson Airplane as well as some great pics of various Hippies and Diggers and counter-culture icons like Ginsberg and Ken Kesey.

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‘The Unique Mens Shop’

Val’s talk was mostly a deconstruction of the photo he was in which provided some really cool behind the scenes info about the original line up of Blue Cheer. Not a lot of people know that Val was a founding member let alone that Blue Cheer was originally a 6 piece (that was news to me too). They just happened to be on the way to Golden Gate Park for a proper band shoot when this was captured.

 

Enjoy this first hand account of the Summer of Love SF by someone who was there:


TINY BUBBLES

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Left: Roy De Forest ‘detail of homage to Zane Gray 1978/Right: V,Vale ‘Genesis P-Orridge in Heels at Monte Cazzaza’s House’ 1981

SFAC also has a show up called Tiny Bubbles a group show that Val also has a bunch of photos in which is up until August 19th.