Tag Archives: Art

Rodelius

 

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It’s been a busy period for me, and this was one of those nights where I did not want to be out on a mid weeknight, but for Hans Joachim Rodelius to drag himself at the age of 82 all the way from Germany to perform for us here in SF made me recalibrate my mood and tough it out in order to enjoy the experience of witnessing this very rare performance by the only living founding member of Cluster/Kluster/Qluster and Harmonia and vanguard of the German avant garde underground music scene.

I had the chance to see Moebius a few years back (2012) and missed it for whatever reason and have been kicking myself because he has since passed away. I didn’t want to miss another opportunity to experience a living master of the craft.

His set at The Chapel SF opened with a bit of electronic work and he was joined by Tim Story also on electronics. This went on for awhile with Hans at one point transitioning to piano for some light melodic pieces, sketches almost, beautiful melodies, light and moody, playful yet melancholy at times. This first video captures some of that.

At one point he did a special dedication to Holger Czukay of Can, who recently passed away and Tim Story also dedicated this one to Dieter Moebius.

Tim departed the stage after the dedication to leave Hans to indulge in some more electronic work which was some of my favorite stuff of the evening. Abstract dynamic and dreamlike sounds culled from various sources created a lovely sound collage.

Nobody seemed to be sure what he was hearing but after his set he asked who in the crowd was playing with him as he seemed to hear some sort of Flutes or horn coming from somewhere in the building….maybe a ghost? Maybe a ghost in the machine?

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He ended the set with a bit of a lull-a-bye on piano, stood up and took some pics of the crowd with his smart phone and then offered anyone who wanted to hug him to hang around afterwards. I went and picked up a record from his merch table and had a few moments with him, the record was already signed from the initial run but I had him sign it again. I asked if he ever figured out who was responsible for the sounds he heard to which he replied in that soft German accent ‘Was it you?’ hahaha! He told me to ‘spread love’ and he smelled like wine and we hugged and it was a wonderful experience.

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Anarchestra “Sonic Oligarchy”

Some inspiring words about the liberation of sound and artistic autonomy, cutting out the gatekeepers and getting back to the DIY philosophy and moving away from being contained and controlled by the tools available to everyone…make your own tools and create alternative choices.

Anarchestra is a DIY instrument maker out of Tucson see more instruments in action via youtube: Anarchestra Instruments

There is a WordPress blog as well: Anarchestra on WordPress

And Anarchestra on Bandcamp


 

Outsound New Music Summit: Touch the Gear 2017

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Tom Djil

I was invited to show a few pieces from my set up at Touch the Gear this year. This was part of the Outsound New Music Summit 2017

There were modular rigs as well as custom instruments, though I suppose the nature of modular is also largely customizable. Specifically, outside there were acoustic instruments presented by Pet the Tiger. They had a pretty sizable Kalimba and this giant set up (a metallophone) with metallic plates and a lovely low tone produced by the largest plate. We had an impromptu jam on that and I sampled a bit of it for fun, maybe I’ll use some in a future collage.

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Pet the Tiger

There was some visual stuff

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Tim Thompson

Modular

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Amanda Chaudhary

I brought a few things including a Mother 32, Moogerfooger MF104M Delay, Tascam 414 cassette 4 track, ipad with various sound apps. Easily the most popular item was the Monoscillatron which I’ve posted about before on Youtube

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Alphastare

By total coincidence my friends at Wondersound Industries just released The Monoscillatron for purchase at Reverb.com with a special that runs from today July 28th until July 31st!

Hear it in action in the video below, as well as a few other sounds from my table. I also did a brief walkthrough. For more coverage visit Catsynth 

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Full Tones @ BAMPFA: Gabie Strong and Robert Lowe

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I found myself at The Berkeley Museum once again, where I had recently experienced another experimental electronic woman artist Suzanne Ciani. My wife and I attended this most recent performance with anticipation and a sense of pride, as my wife has been friends with Gabie since high school, and here she is performing at BAMPFA! If that isn’t enough to get excited about, also on the bill was Robert Aiki Aubrey Lowe.

Full Tones was part of a series of concerts held on the Full Moon curated by Land and Sea who operate out of Oakland Ca.

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Gabie has been deeply involved in the experimental music underground for many years. She has been operating the radio show Crystalline Morphologies on KCHUNG 1630 AM radio out of Chinatown in LA. There are show archives that go back to 2011.

She has performed in and curated many events over the years, often developing site specific experiments.

She has also recently added an independent record label (also called Crystalline Morphologies) to her list of accomplishments and her 2 solo releases on vinyl and cassette are excellent slabs of experimental drone/noise and field recording.

Her set was a wonderful wash of guitar drone with a bit of contact mic experimentation deeper into the set that really brought an interesting performance element into the experience.


We had been planning on going to this event for a few weeks before I looked it up online and saw that Robert Aiki Aubrey Lowe was also performing! I’d been following him for some time and have enormous respect for him being one of the few people of color operating at that level in electronic music. With cutting edge modular technology and an intellectual as well as soulful approach to the medium, he brings a much needed flavor to that scene. He incorporates his voice in wonderful ways as well as other acoustic elements fed into the modular for an otherworldly effect almost church-like. While I’m at it, I really recommend the stuff he did with experimental electronic legend Ariel Kalma. It was an honor to meet Robert and I do hope our paths cross again!

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