Just a really cool video for a lovely song. Happy Saturday.
In my post covering this recent set of mine, the video I shot is missing the last 7-8 minutes. Matt who puts on the event had a camera set up as well and he captured the set in it’s entirety. The footage is of a much better quality as well, enjoy!
I believe this was the 4th time I’ve performed at The Luggage Store Gallery at the 3rd different space they have operated out of in the last few years. The current space is in the same building as the old but one immediate positive is that there are a few less stairs to climb as it’s located on the floor beneath the old one. By far my favorite location was the street level space they had across Market St. where the Financial District dovetails with The Tenderloin, there is footage from that in an older post . That space was on a corner and had huge windows, so as you were performing there was still that sense of the hustle of city life going on all around you, cars, busses, vintage SF cable cars…briefcases and pantsuits, street people peering into the windows, a real sense of being submerged in a major city…
This space seemed a bit smaller than the one upstairs but had a nice layout and plenty of local art hanging, creating a vibrant atmosphere.
Tonight I had Rose Cherami with me operating visuals. This added immensely to the set and I look forward to working with this artist more in the future. Rose also hosts a night at The Honey Hive Gallery where I recently performed also with his contribution on visuals.
Luggage Store Pics
For my first number I had to perform surgery on my SQ-1 which decided to die about 30 seconds into my set as I forgot to put in fresh batteries. The SQ was syncing all of my other gear aside from my ipad which had a drone texture playing from the Animoog synth. I had not brought extra batteries but realised I had borrowed a tape player from a friend (event host Matt Davignon). I flipped over the SQ-1 and realized the battery compartment cover is secured with phillips head screws! Hahaha! luckily I had my trusty knife on me and whipped that out like a back alley hood and went to work swapping out the batteries. If it weren’t for the Animoog Drone and the fact that I randomly borrowed that tape player and had something to remove the plate with, the beginning of my set would have been really rough. I took it as it came and soldiered on and had a great set.
The first half consisted of some work on The Mother 32 synced up with 2 Volcas (Sample and Bass) as well as the aforementioned Animoog for drones and texture. Then I switched the focus to a 4 track cassette I had prepared with 4 tracks of loops, which I live mixed and layered other various samples over from another source.
I had to watch it back to appreciate the visual element and I knew it would add a lot to the experience, Rose did a great job and I hope to keep this as a regular element in my sets anytime possible!
Kataryna Kopelevich also performed, you can find her work HERE
Slide show pics by Monica Berini
Here are a couple of videos I’ve recently enjoyed. Visually intense material not for those who get dizzy easily.
Aphex Twin did a ‘Pendulum set’ back in 2011 in Poland. This was a piece originally composed by Steve Reich in 1968. Progressing on this a bit, the mics used in this set were outfitted with mirrored disco balls and used to create a hypnotic matrix of kaleid-a-scopic laser like beams swaying with the rhythm of the swinging as it naturally slowed during the process.
This next video is by Toshio Matsumoto who I know very little about, though I have heard of Funeral Parade of Roses (1969) which apparently was influential on A Clockwork Orange. This video is abstract and very psychedelic and challenging (in a good way) to watch. The music was done by Toshi Ichiyanagi who was involved with The Fluxus movement and studied with John Cage as well. Enjoy the trip!